-->

Archive for January, 2007

Transfer Your LPs to High-Res 24/96 DVDs

Monday, January 29th, 2007

AudioXpress, the only DIY audio hobbyist print mag, recently published a great how to article about transferring your LPs to DVD audio (though not necessarily DVD-A). Transferring LPs to DVDs in High Resolution by Victor Skaggs (PDF download) is the most detailed LP digitizing article I’ve encountered (Hi-Fi News recently published another how to, but stopped a CD quality audio). As a bonus Mr. Skaggs does all his digitizing on a Mac using affordable software and hardware (with many low and high end alternatives). He’s so into digitizing LPs to high resolution audio that he’s discovered hidden features in Roxio Toast and had features added to Toast (music-only DVD authoring) and ClickRepair (96 kHz file support). I wish I had as much ambition and input with my software tools.

Since my successes with ripping CDs to lossless audio files (with MAX) and listening through my low jitter Airport Express, I’ve wanted to compare a high resolution LP to digital transfer to the digital CD originals. By Victor Skaggs’ comments, I’d have to think the transferred LP would win followed by lossless audio and CD last.

When I get a free weekend I’ll pop open my Rogue preamp, flip the second outputs to fixed and hook it up to my MacBook Pro. Following the AudioXpress article, I’ll record Shellac’s At Action Park, clean it up and burn a 96/24 DVD (or 192/24 DVD-A if I can figure that out). Watch out for the head-to-head test.

(via Macintouch)

Popularity: 14% [?]

Torchwood Cables Will Transform Your Audio System with Exclusive Alien Tech

Saturday, January 27th, 2007

torchwoodcablead_448x256.shkl.jpg

“These shouldn’t exist,” the Doctor.

With materials sourced exclusively from Cardiff, Wales’ Torchwood Institute regulated time and space Rift, Torchwood Cables will enhance your audiophile listening experience with unknown alien technology from many possible futures. The 21st century is when everything changes [in your home audio kit].

Every cable purchase includes a free bottle of “auditory enhancement” pills, Amnesiaphor (side effects may include sudden drowsiness and selective forgetfulness that in no way degrade your audiophile experience or turn you into a psychopathic murdererous pawn of a formerly deceased Torchwood agent). A satisfied customer, “It’s weird, my stereo’s never sounded better and I have no idea why. What? Are you sure? When did I get new interconnects? Oh God, I remember… I remember, Jack.”

Torchwood’s leader, Captain Jack Harkness, explains the peculiarity of the various cables’ construction, “A few months ago we were cleaning up the last of Cardiff’s Cyberman scrap and Gwen dropped an earpiece into this alien liquid/solid sphere Tosh had on her desk. There was an electric blue flash and then nothing. The Cyberman part was suspended in the middle of the liquid and when Gwen took a closer look and breathed on the thing, an audio interconnect slithered out. The alien runes on the jacket glowed and then faded. We’ve tested the conductor and termination plugs and they are definately Cyberman alloy. I don’t like it, but everyone else thinks it’s safe, especially Iantu.”

Torchwood interconnect’s jacket runes glow a calming blue when fed an audio signal keeping a constant charge on the alien dielectric (we haven’t identified the material yet but it measures better than air). The Cyberman alloy’s sonic signature is completely neutral, with no resistance and conductivity that’s off the charts.

Don’t ask what the third cable is for, you’re not ready to know.

Torchwood Institute’s doctor, Owen Harper: “I know many of you feel I don’t take AV kit seriously because I’ve got my plasma set on top of the cardboard box it shipped in, but since I’ve rewired my stereo with these cables, I’ve been listening at home more and shooting my fellow Torchwood agents less.”

Torchwood cables are only available in the U.K. Watch out for them at your local hi-fi shop.

Popularity: 7% [?]

Cost No Object Music Room Shames Mortal Audiophiles

Wednesday, January 24th, 2007

music_room_019_448x297.shkl.jpg

A friend tipped me off to this amazing music room built into a barn or guest house. Follow the link for loads of pics of five-figure turntables, loudspeakers, tube amps, CD players and cables. This guy has really bought into the “cables and isolation accessories make a difference” with interconnects and speaker cables that resemble vacuum cleaners, ceramic cable lifters (I guess DIY cable lifter kegger cups wouldn’t blend well with surrounding décor) and tank-like turntable isolation rack sitting on top of a granite tile (which I assume must be twice as thick as normal granite judging by the overbuilt quality of the rest of the room).

As impressive as the audio system components is the acoustic construction of the room, all built-in scalloped acoustic chambers on the walls and ceiling. I love the floor to high ceiling LP and CD storage that he needs those elementary school library rolling step stools to reach the highest shelf.

Too bad he’s not listening to phase and time coherent loudspeakers. All that money spent on massaging the perfect signal through four carat phono cartridges, preamps, amps and cables only to have the listening experience mangled by the loudspeaker. Heh, if you can hear the difference (I would hope this system to be punishingly revealing).

What a Fortress of Solitude (Auditude?). What’s this guy escaping from? (Not to judge, I’m just overcome with envy.)

Popularity: 10% [?]

iPhone Not True Widescreen - Hope for a 2.35:1 Video iPod

Wednesday, January 17th, 2007

2351cinepod_448x198.shkl.jpg
16x9cinepod_448x198.shkl.jpg

Engadget is reporting that though Apple boasts a “widescreen” display for the iPhone, its screen is actually a non-standard aspect ratio:

Well, anyone who sat in Moscone Center to witness the holy unveiling surely noticed the screen cropping (letterboxing) that occurred when Steve played Pirates of the Carribean. That’s because the iPhone isn’t “widescreen” as the term is customarily understood outside of the reality distortion field — it is not a 1.78:1 (16×9) aspect ratio. Rather, the display utilizes a 1.5:1 aspect ratio.

via Engadget via Crave

Apple has a history of creating and then filling its own hardware niches. Large capacity video iPods for those that enjoy watching David Caruso wince on CSI: Miami, iPod Nanos for jewelry and compressed music lovers and the iPod Shuffle for random players who lost the bolo piece from their bolo tie. The iPod family members all have distinct hardware bonuses and shortcomings that complement each other. So the iPhone isn’t really widescreen, does this leave the possibility open that a new device will fill our widescreen video needs? Will iPhone customers become frustrated while they watch 300 in a thin strip of a 2.40:1 letterbox?

Could Apple’s strategy be to introduce the iPhone’s new on screen dual touch, storage and display technologies to refine them over time and once popular reduce their cost to meet a true widescreen video iPod? Imagine a 16×9 screen dominating the gadget’s full front face, all AV controls on the dual touch screen for the same price as today’s 80 GB iPod. Like a large storage Sony PSP without the D-Pad and buttons (oh, and games, have to remember the PSP plays games).

Maybe all the dual touch patent rumor mock ups were right, we just have to wait for the iPhone to become a commodity and piss off enough videophiles to introduce the true widescreen video iPod. Though I’m sure true videophiles would prefer a 2.35:1 aspect, constant height screen with little velvet curtains on the sides to aid contrast when windowboxing squarer ratios (as mocked up above). Introducing the cinePod (as in Cinescope). Heh.

Popularity: 12% [?]

Do Not Repeat My Mistakes Calibrating Your Home Theater Projector

Tuesday, January 16th, 2007

With the HCFR 1.21 update I’ve been struggling with using Gretag Macbeth/X-Rite’s Eye One Pro or Eye One Display2 color meters. A list of my missteps so you don’t repeat my mistakes:

Continue reading Do Not Repeat My Mistakes Calibrating Your Home Theater Projector

Popularity: 13% [?]

Sling Catcher Media Extender Cares About the Consumer

Friday, January 12th, 2007

slingcatcher-1.jpg

On the heels of my AppleTV disappointment, I discover Sling Media’s new media extender: Sling Catcher, announced at CES.

Sling’s co-founder, Blake Krikorian, thinks the Catcher will succeed where all other “limited” media extenders have failed:

The Slingcatcher won’t be limited at all, he says, and will let you take “anything you have on your laptop, any type of media, any Web site, or Web-based video and project it wirelessly at the push of a button onto your television set. I can go to any site, any video content, any formatted content and get it to play on my big screen TV. That’s a huge difference between what we’re doing and what others are doing.”

via Engadget

Continue reading Sling Catcher Media Extender Cares About the Consumer

Popularity: 7% [?]

AppleTV - Too Crippled for a $300 Media Extender

Wednesday, January 10th, 2007

appletv.jpg

“What’s on TV? Just about everything you’ve got in iTunes…”

Apple released the final specs on its AppleTV (formerly iTV), and I’m super disappointed.

Its hardware is impressive for a media extender:

  • AV out: HDMI and Component Video, Optical and stereo RCA audio (HDMI audio too?)
  • Network: Ethernet, 802.11 n a/b/g
  • Storage: 40 GB HDD.
  • Intel processor (video on the chip?)
  • Small and slim form factor that follows the Mac Mini’s rounded corner square design and lateral dimensions

Neat, sounds like an impressive media extender that can deliver up to a 720p video signal to your home theater over a robust wireless connection. So why am I so disappointed?

Continue reading AppleTV - Too Crippled for a $300 Media Extender

Popularity: 9% [?]